If I'm in a room full of one hundred people who love what we're doing, I'm thrilled." "If you now made an offer to me," Jillette continues, "and said you can have the precise level of fame and respect, and make the same amount of money, but you won't get to do the show, I have no interest in that. "The difference," as Teller puts it, "in your ability to actually perceive that is almost nil. "We were happy to play for about two hundred people a night, do fairs, trade shows, cruises."įorty years after they started performing together, the pair is still at it because they love it, whether playing a space built for 100 or 1700. "Our business plan did not include this level of success," Jillette says bluntly.
Yet even as they've become known the world over for their trickery, winning seven Las Vegas Magician of the Year Awards and receiving a star on the Hollywood Walk of Fame, Jillette and Teller are nonplussed by their achievements. We're business partners, but we're not in love." "A partner who in some ways does not share your point of view, and in other ways does, is a big, important part of it." According to Jillette, their relationship consists of "respect, but not affection. Jillette describes the past four decades as "a blink of an eye and eternity at the same time." Teller believes their success lies precisely in the fact that they're different people. A Broadway return in 1991 with The Refrigerator Tour ran 103 performances at the Eugene O'Neill, then moved off-Broadway for six months. Two years later, they made their Broadway debuts in a self-titled production that ran 122 performances at the Ritz Theatre (now the Walter Kerr). For their debut production, Penn & Teller won an Obie Award, honoring "whatever it is that they do" (that's the exact wording for how the Obie committee described their uniquely idiosyncratic blend of comedy and magic). Penn (left, with glasses) and Teller (right) are paid a visit by musicians Iggy Pop (left) and David Bowie (right) during the off-Broadway engagement in 1985.
We didn't even give up the places we were living in Southern California. We expected to do four weeks here and go back to our regular lives. Jillette continues, "We were carnie trash doing fairs and festivals, and our show here and there, and we came out to New York with no optimism whatsoever. We had a minorly successful little run in Los Angeles and we want to risk it. Producer Richard Frankel (who is also one of the producers of the new engagement) "came to us and signed us to an option agreement. Penn & Teller had been partners for a decade before, as Teller puts it, "We were dragged kicking and screaming" to an off-Broadway run in New York. "It took fifteen years to do it it'll take fifteen years to explain it." Teller, who is silent onstage, puts it a bit more succinctly: "This turned out to be the right time." How did 15 years of trying eventually end up working out to a July 7-August 16 run at the Marquis Theatre? "That's a fifteen-year answer," Jillette says with a laugh. They're bidding a six-week farewell to the Penn & Teller Theater at the Rio in Las Vegas to return to the location that started it all, a place where the marquee lights are just as bright as they are in Sin City: Broadway.Īccording to Jillette, the taller, more loquacious half of the pair, this Broadway stint, their third, is 15 years in the making. It is also the horsefucker's delight, for Global Rule 15 is NOT ENFORCED HERE."Once you've got a theater with your name on it," begins the internationally renowned illusionist Penn Jillette, "it's really hard to have to convince people to leave it empty for seven weeks during prime time." But that's just what Jillette and his business/performance partner of 40 years, the mononymous Teller, are doing this summer.
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